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Here Comes the Judge: Take Cover, Would-Be Idols
May 19, 2004
By VIRGINIA HEFFERNAN
Simon Cowell, the imperious judge of Fox's call-in talent
show "American Idol," was raised just north of London, in a manor house called Abbots Mead. His father was on the board of the record company EMI; after graduating from high school, Mr. Cowell worked in the company's mailroom. He went on to create novelty musical acts of professional wrestlers, the Power Rangers and celebrities like David Hasselhoff. Mr. Cowell made pop stars, in other words, out of athletes, toys and actors.
But these days Mr. Cowell is known less for eccentric hit making than for high-hatting the contestants on "American Idol," which is now in its third season. (Last Tuesday the show drew 22.8 million viewers.) Sharing a panel with the music executive Randy Jackson and the performer Paula Abdul, he opines, often bluntly, about the live performances, presumably influencing the vote, which viewers register by phone when the live show ends.
Wrapping up a contentious season, during which the show was dogged by questions about fairness and procedure, two finalists will be named tonight. Who will be cut? Jasmine Trias, the Hawaiian underdog; Diana DeGarmo, the baby-faced power-singer; or Fantasia Barrino, the irrepressible former gospel singer? In the midst of the suspense Mr. Cowell talked about racism, $300,000 cars and the madness of Fantasia. Here are excerpts from the conversation.
VIRGINIA HEFFERNAN Who's going to win "American Idol"?
SIMON COWELL Diana DeGarmo.
HEFFERNAN Oh, good Lord.
COWELL I thought she was a stage-school brat when I first
met her. But she's quite a nice girl. And she's our little Seabiscuit.
HEFFERNAN Why did La Toya London, who's such a good singer,
get kicked off last week?
COWELL She was very cold. She could have been a robot for
all the emotion or personality she put over. And she said something very stupid. She had a little bit of criticism, and she said: "I'm not the slightest bit worried. We're all winners now. We're all going to have successful careers." When she said it, I said, "She's out." Because America decides whether they're going to have successful careers. To say that was verging on arrogance.
HEFFERNAN You like to punish these people for hubris.
COWELL I don't like to punish them. But look, lots of them
will get record deals. But will they make any money or have
a career? I'm dubious.
I do try to encourage this winning mentality. And I've got
to tell you, Clay Aiken is - whatever he says in interviews
he is, or was - dreading someone as good as him coming
through the ranks. And rightly so. Because he's a winner.
It's like me seeing another talent show coming on, and pretending that I'm happy that another friend of mine has done it successfully. I'd be suicidal.
HEFFERNAN Do you agree with Elton John that the dismissal
of the black singers, who have great, powerful voices, is evidence of racism in the voting?
COWELL That was a throwaway remark. The reality is that
those people simply aren't getting enough votes. We have a
lot of passive viewers on "American Idol" who enjoy
watching, and enjoy the controversy afterward, but don't
pick up the phone.
HEFFERNAN Unlike the other judges, you don't talk much
about pitch when you comment on a performance. Why not?
COWELL I don't think I'm a music expert. I haven't got a
clue whether I've got good or bad pitch, and I couldn't
care less. I don't like that kind of criticism. This competition is not about who's singing in tune.
HEFFERNAN What do you like about a good pop performance
then?
COWELL It's like drinking a Häagen-Dazs strawberry
milkshake. Just delicious. Why do I like strawberry and not banana? I don't know. I just do.
HEFFERNAN Are you sentimental?
COWELL I don't know if I'm sentimental. But there are occasions when a song is sung and you sit back and you let it wash all over you. That's normally like a Tony Bennett song, a good Frank Sinatra song or a good Righteous Brothers song.
HEFFERNAN What about an "American Idol" song?
COWELL
Could I sit there and listen to these kids sing in a
concert? I couldn't stay there for two minutes. I couldn't think of anything worse.
HEFFERNAN Even a Clay Aiken concert?
COWELL Are you kidding? I wouldn't last a minute.
HEFFERNAN Several of the "American Idol" performers have
gospel in their pasts, and in interviews they make frequent references to God. What do you make of the religious element to the show?
COWELL Well, you know the answer to the question, don't
you? Obviously a lot of people are using it to gain votes.
Come on. You know that, and I know that.
I also don't like the constant dedications to children.
Give me a break. Like Fantasia, who has an edge on her. I
think she's used her kid twice now in the show. And you
just think: "Enough. You're now behaving like a politician rather than a pop star." It all becomes a bit gruesome.
HEFFERNAN Maybe Fantasia's cynicism adds to her serpentine appeal.
COWELL I'll try to think of it that way. With Fantasia
there is an element of unpredictability about her, in how
she performs, in what she says when she answers you back. There's a hint of madness there, which is good.
HEFFERNAN Are you a jealous person?
COWELL I'm competitive. I'm not jealous. I have a lot of friends who are billionaires. I don't envy their wealth. But if I'm releasing a record the same week as one of my competitors who may be a friend, I'm going to do anything in my power to make sure that I'm more successful than he is.
Look, I was slightly cynical of the American mentality
before I came over here, but now I preach it. Here, no
one's going to tear you down if you buy yourself a $300,000 car. They're likely to say: "Well, you probably worked hard for it. Good luck to you."
HEFFERNAN Randy Jackson. What do you think his shambling commentary adds to the show?
COWELL You know, Randy is incredibly important on the panel because he has, to use an American expression, great energy. And it's very easy to be cynical and down and depressed when you're on this show, and I've never ever seen Randy down.
HEFFERNAN Are you getting bored with "American Idol"?
COWELL No. All the things people are complaining about now:
the wrong person being kicked out, that person shouldn't be
in. I love all that. I think it's interesting.
HEFFERNAN With all the show's alumni making such bland
music, do you ever feel like you're creating monsters?
COWELL I'm not sure if we're creating monsters. "Idol"
wasn't a television company saying, "Let's put on a talent show." It was a record company saying, "Right, we need a vehicle to find new talent." At that time we believed that there was a lack of good solo artists out there. I've always said that with a bit of luck and a bit of skill or whatever this show could last for another 20 years.
HEFFERNAN Why has "American Idol" done so well?
COWELL
It's only on once a year. It's something to look forward
to. It's a very easy show to watch, and I think Fox has
been very clever, in that they didn't do what ABC did with "Millionaire," and kill it quickly because they overran it. They kind of looked after it and protected it.
HEFFERNAN Do you think the show's culturally important?
COWELL: No, I don't. People might be able to get a reality
check: it's not quite as easy to be famous as you think it
is. But I don't think it's culturally important, and it shouldn't be.
http://www.nytimes.com/2004/05/19/arts/television/19IDOL.html?ex=1085974277&ei=1&en=ca8d566620120fae
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